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I first found out about Denounce a couple of years ago when I was attempting to put together a gig at The Cartoon in Croydon. Unfortunately the gig was cancelled at the last minute and the venue was closed down, but my interest in Denounce didn’t falter.

At the time I was very interested in the tracks available on their MySpace – they seemed to be brimming with attitude and energy – so I didn't dare pass up the opportunity to review their album.

The album opens with a track simply called "Intro" (I'm not sure if this is the final name for it yet) and it gives you the impression that you're walking into something rather sinister. "On Cold Skin", "Flesh Harvest", "Fire Will Follow", "Roadkill Christ" and "Fall At Your Feet" really showcase what Denounce do best. This is thrash influenced extreme metal with fantastically memorable riffs and melodies and raw and vicious vocals. The lead guitar is also worthy of more than a little bit of praise. I also feel that I should mention "Solace". This track starts off in a more mellow direction than the others, but it soon picks up the pace. While it isn't as savage as some of the tracks on this album, it certainly captivates the listener and provides the album with an excellent finish.

The tracks on this album never seem boring or 'samey' and Denounce – thankfully – haven’t fallen into the habit of reusing one particular element over and over again (like some bands I could mention!). There's blastbeats, intricate riffs and lead guitar here, but none of these are over-used and thus this leaves each track on the album with a fresh feel. While there are plenty of bands out there creating this kind of music, it really does seem like Denounce are 100% original. Obviously there are hints here and there of their influences, but that's all they are – influences.

"Deep Wood, Shallow Grave" is full of tracks that make me want to bang my head. It's got me so psyched that it’s hard to believe that I'm listening to it and reviewing it at 8.20am on a Monday morning. "Deep Wood..." scores very highly in the replayability (it's a new word – deal with it!) scale and it’s provided me with a brilliant soundtrack for many of my journeys to and from work. This album is everything a decent metal album should be... so why aren’t Denounce fuckin' huge right now?! 9.6/10
(Loucifer Speaks Webzine)

A precursor to Denounce's upcoming album, Deep Wood, Shallow Grave, this demo makes for an impressive taster. Denounce's brand of death metal owes an obvious stylistic debt to thrash. Complex and crushingly heavy riffs are regularly interspersed with brief melodic lead breaks. The band play as a cohesive unit and it is clear thata lot of work has gone into arrangement, to maximise the impact of the material. Bring on the full album!
(RB, Zero Tolerance)

Denounce may be one of the best kept secrets the metal underground is hiding right now. With a professional sound and chops to spare, this UK based band plays a blistering form of metal based on rapid fire riffs with a melodic edge. The easiest way to describe the band would be a cross between thrash and Swedish death metal. It's a perfect combination of American heaviness and Swedish finesse making Denounce one of the best bands playing this style right now.

While very melodic, the songwriting is still very intense. The riffs hit with a lot of power and the band is quite fast. The vast majority of the album sails by at a thrash tempo and the use of the blast beat is sparse but very effective. The band slows things down for more rhythmic sections at times, but stays away from using typical breakdown riffs. This may appeal to fans of the metalcore genre, but this really has nothing in common with the genre at all aside from some of the melody perhaps. The vocals snarl and rasp and add a venomous layer to an already volatile mixture. If you like your metal energetic and quick, Denounce more than delivers.

While this genre may be filled with bands not quite up to snuff musically, this band is made up of musicians who more than know their way around their instruments. It boggles my mind when you discover a band this good and they aren't on a label yet bands who play similar music but of lesser quality are signed to some of the biggest labels there are for this type of music. This is some of the tightest and well written music of this style that I have heard in a long time. This is right up their with the early Soilwork albums if you ask me.

With a powerful production and a tough as nails sound Denounce is a band poised to take the metal world by storm. Record labels take note as this is a band that is playing interesting yet fast metal sure to please fans of American metal and Swedish death metal alike. If you like Soilwork, The Black Dahlia Murder or possibly even Heartwork era Carcass this is definitely a band you will want to check out.
(Mike Hochins, Unbound Webzine)



"THE ART OF BROKEN TEETH " EP

With metalcore undoubtedly destined to be the next fad to be swept under the shit-stained mattress, Denounce have their work cut out for them. However, what they do, they do very well; the band are obviously competent musicians, blessed with a gifted vocalist in Greg Cole, who sounds just like Carcass' Jeff Walker. And therein lies the problem. They need to move further away from their influences to stand a chance of being taken seriously as a class act. Time will tell.
(JG, Terrorizer Magazine)

This 5 piece from Gravesend show plenty of Eastern promise. Scott “Axegrinder” Atkins of homegrown heroes Stampin Ground has produced this 5 track EP. So, trusting my old mates judgment I figure I must be in for a treat.

I must admit that from the name and the cover I thought I was in for some generic tough guy hardcore with a few staccato beats and beatdowns. What I didn’t expect was something that reminded me so much of latter career Carcass! Greg Coles vocals remind me so much of Jeff Walker I did a double take as the CD began. The music invokes the same kind of soaring positivity I feel when I listen to Heartwork or Swansong (hey I like the album ok!!!!) This is no Stars in their Eyes performance though. These 5 Kent lads have got the talent and choons to back up such a heady comparison. Opener “Hypochristian” may not consist of the most original of lyrical concepts, (we get it lads - there is hypocrisy in the Church and organized religions are the root of all evil - next!) but that aside it is a great introduction to the havoc contained in this EP. The band are sphincter tight with the twin guitars of J Beard and Dayve spiralling in the forefront backed by the bombast of Rhymes on Bass and the tastily monickered Felcher on Drums. Track two “Bloodied Congregation” continues the metal assault. This time evoking scenes of black mass and Satanic cannibalism. Yum! Hey I know these are a little clichéd but lets face it, such subject matter is what drew us to metal in the first place.

The thing that strikes me reading through the lyrics for the 4 songs here (the 5th is instrumental) is the fact that each one consists of only two paragraphs. For a moment I wondered if this EP had been written in Haiku - a notion which both excited and repulsed me. However having done a quick syllable check I do not believe this to be the case.

Track three Flesh and Blood is bugging the hell out of me. It really reminds me of something. Something I really like something is screaming early In Flames at me but I don’t know if that is right. Fuck it! Whatever it is it must be great coz this bloody well is. When things slow down the drums seem to lose it a little and the boys struggle to get back in time which is a shame and mar for me an excellent track. Luckily they get back on the horse and we are away again.
Track four “….And the needle is thread” is an instrumental. We get to see the Kent bruisers sentimental side. It reminds me of a Pink Floyd intro, this is not a compliment. Skip!
Yeeeeeeeeeeeeeeeeeeeeeeeeeesssssssssssssssssssssssss! Back to the metal with the final track “Sewn Silent”. A little adage to the art of serial murder. The chorus refrain of clack clack clack which I take to be the sound of scissors cutting thread is great. I can just imagine screaming that in a sweaty moshpit complete with finger movements.

This EP promises great things to come. It is hard to believe that these guys are still without a deal when you hear some of the shit being touted by majors and indies alike. I can’t wait to see them live. www.denounce13.com
(Matt Mason, Live 4 Metal)

This 5 piece southern English band return with a 5 track here that looks very well advanced from their previous, already promising release.

'Hypochristian' certainly backs up this professionalism and is a top class, sharp edged melo-death swedish style song, packed with cool riffs, Carcass-esque gritty vocals, a strong production and tight playing. This standard is kept up throughout and closes with my own favourite 'Sewn silent' which seals the comparisons to Arch Enenmy, At the Gates (mostly 'Terminal Spirit Disease' era) and the like. There is also a more metalcore edge, towards Darkest Hour and Zao, especially in the closer.

Denounce are certainly about the best of the UK bands doing this kind of thing and hopefully an album is next on their agenda.
(Paul, Raw Nerve Promotions)

Wow! This is in yer face Metal which comes at you like a smack in the face with a baseball bat. There´s five tracks on this EP and there´s just no let up in the music department. The only downer for me were the vocals which I thought could have been louder in the finished production. The lyrics are great - It´s just a shame that the vocalist wasn´t give the opportunity to get them as spot on as the music. Tracks to listen to are ´Flesh And Blood´ and ´Hypochristian´ which were the best ones on this EP for me. A band to look out for. (Self Financed) 7.5/10
(Full Frontal Recordings)



"THE INNER WORKINGS OF THE HATE GAME" EP

I met the drummer from Denounce recently whilst out in the Czech Republic for the Obscene Extreme festival and what a jolly nice bloke he seemed to be. That, in no way shape or form has biased me in my review though! No mates favours round these parts!

That said, and honestly too, this is a solid EP from the Southern England lads, who have clearly listened to plenty of At The Gates in their time. Certainly vocally and musically it is a noticeable influence, and overall reminds me of The Year of our Lord, one of the better of the ATG compared bands. Denounce certainly don’t fully rely on them as sole influence, and there are some cool ideas of their own in the breaks, vocal patterns and deliveries and song direction changes. If you like your Iron Maiden-esque melodies you should check out ‘Hollow solvent solitude’ which is a decent song in its 6 minutes life, that also checks in with the straight up metalcore bands along with heavy metal aplenty.

I think if they take a screwdriver to the whole thing and tighten it up throughout the band, and add a bigger production on the next recording, they are going to be a recognised force in the UK extreme scene, as there is plenty of goodness on show that crosses quite a few genres.
(Paul, Raw Nerve Promotions)

Their music to me possesses natural style and the relentless energy needed in order to set them apart from the rest in their chosen genre...

I saw this band live a few weeks ago when I caught their headlining slot at The Red Lion, (otherwise known as Leos Red Lion), in Gravesend and I have to say it makes this reviewer pretty happy to be writing about a talented band from my hometown, where I’m especially grateful to Denounce for making waves in this little musical no-mans-land we all don’t like to call home!

Denounce are heavy, and in my opinion are also at the top of their ‘hate game’ when it comes to the thrash metal genre. I’ll get this out of the way now because if you like your metal on the lighter side of heavy then you may not appreciate the sound as this band are not going to be gentle with you, however I feel that’s a large part of their appeal as the thrash metal scene has needed new blood for a long time now due to it hitting a slump over recent years, resulting in carbon-copy hell. This band is setting a new standard, and although I don’t see them appealing to a mainstream audience, those who love their metal heavy will be more than satisfied.

Their music to me possesses natural style and the relentless energy needed in order to set them apart from the rest in their chosen genre. This EP entitled “The Inner Workings of the Hate Game” contains 7 tracks that prove they aren’t your typical ‘screecher’ band, this music has class, it has balls, and I feel they have staying power based on those strengths, which is important when discussing a niche market such as extreme metal.

What impressed me most was the guitar work; it blew me away! Dave Irving and Jamie Turton must have shot out of their respective mothers wombs holding Gibson Les Pauls in their hands, they’re only in their twenties yet I heard triple that experience on this CD! Their band mates deserve a mention too as drummer Dave Falstead more than helps to keep up the pacing along with bassist Rhymes, who together make up a class act when joining forces for the timing of each track. We then have Greg Cole keeping things thrashy with his unique vocal sound, penning many of the bands songs and proving himself to be a competent lyricist, and in a live situation an entertaining front man as well!

My favourite songs from this CD were “On Cold Skin” and “Hollow Solvent Solitude” as they show off each of the band members varied talents and really stood out to me as the listener. If you like your music on the heavy side of heavy then you’d better check this band out, but there’s no rush because I have a feeling this is just the beginning for Denounce who could easily carve out a solid career for themselves in their chosen genre as long as they remain unique.
(Samantha Somerset, Taranis Productions)



An all encompassing haunting mix of death and pain delivered with single-minded rhythm and riffs to drool over. Moments of driven clarity and focussed metal peaks give the band a youthful and fresh place in their heavy genre. The song Hollow Solvent Solitude has you racing for the guitar mimicking motion in full appreciation. Intelligent compilation and penetrative vocals within all the songs means you just don't get bored with this stuff, unlike other more generic offerings in our era. This is a band that could run with the flag and stand proud in the field of Extreme Metal.
(Adam Fillary, Rock Matrix)


Heavy Heavy Heavy. Denounce are somewhat of a rising star and an underground favorite among the thrash community. Vocals are death, but not in the deep, "am I belching or singing?" style. More of a higher-pitched sound (close to black metal, but not quite). The songs available on myspace are head banging solid songs, with strong riffs and thrash sections throughout. The drums, as would be expected, are fast and hard hitting, though manage to showcase enough variation so as not to sound redundant, however the real attraction to Denounce is their guitar work. Metal heads are undeniably going to devour these tracks in an instant, evil and bloody and undeniably delicious.
(UK Metal Underground)


With influences ranging from Nasum to At The Gates to Immortal, Denounce display a fairly eclectic melding of bombastic Hardcore and Thrash. They've shared the stage with Hecate Enthroned, among others. Make room in the UK Metal Underground. Denounce are coming.
(Metalspace)