
PRESS
I first found out about Denounce a couple of years
ago when I was attempting to put together a gig at The Cartoon in
Croydon. Unfortunately the gig was cancelled at the last minute and
the venue was closed down, but my interest in Denounce didn’t falter.
At the time I was very interested in the tracks available on their
MySpace – they seemed to be brimming with attitude and energy – so
I didn't dare pass up the opportunity to review their album.
The album opens with a track simply called "Intro" (I'm not sure
if this is the final name for it yet) and it gives you the impression
that you're walking into something rather sinister. "On Cold Skin", "Flesh
Harvest", "Fire Will Follow", "Roadkill Christ" and "Fall At Your
Feet" really showcase what Denounce do best. This is thrash influenced
extreme metal with fantastically memorable riffs and melodies and
raw and vicious vocals. The lead guitar is also worthy of more than
a little bit of praise. I also feel that I should mention "Solace".
This track starts off in a more mellow direction than the others,
but it soon picks up the pace. While it isn't as savage as some of
the tracks on this album, it certainly captivates the listener and
provides the album with an excellent finish.
The tracks on this album never seem boring or 'samey' and Denounce
– thankfully – haven’t fallen into the habit of reusing one particular
element over and over again (like some bands I could mention!). There's
blastbeats, intricate riffs and lead guitar here, but none of these
are over-used and thus this leaves each track on the album with a
fresh feel. While there are plenty of bands out there creating this
kind of music, it really does seem like Denounce are 100% original.
Obviously there are hints here and there of their influences, but
that's all they are – influences.
"Deep Wood, Shallow Grave" is full of tracks that make me want to bang my head.
It's got me so psyched that it’s hard to believe that I'm listening to it and
reviewing it at 8.20am on a Monday morning. "Deep Wood..." scores very highly
in the replayability (it's a new word – deal with it!) scale and it’s provided
me with a brilliant soundtrack for many of my journeys to and from work. This
album is everything a decent metal album should be... so why aren’t Denounce
fuckin' huge right now?! 9.6/10
(Loucifer
Speaks Webzine)
A precursor to Denounce's upcoming album, Deep
Wood, Shallow Grave, this demo makes for an impressive taster.
Denounce's brand of death metal owes an obvious stylistic debt
to thrash. Complex and crushingly heavy riffs are regularly interspersed
with brief melodic lead breaks. The band play as a cohesive unit
and it is clear thata lot of work has gone into arrangement, to
maximise the impact of the material. Bring on the full album!
(RB, Zero Tolerance)
Denounce may be one of the best kept secrets the
metal underground is hiding right now. With a professional sound
and chops to spare, this UK based band plays a blistering form of
metal based on rapid fire riffs with a melodic edge. The easiest
way to describe the band would be a cross between thrash and Swedish
death metal. It's a perfect combination of American heaviness and
Swedish finesse making Denounce one of the best bands playing this
style right now.
While very melodic, the songwriting is still very intense. The riffs
hit with a lot of power and the band is quite fast. The vast majority
of the album sails by at a thrash tempo and the use of the blast
beat is sparse but very effective. The band slows things down for
more rhythmic sections at times, but stays away from using typical
breakdown riffs. This may appeal to fans of the metalcore genre,
but this really has nothing in common with the genre at all aside
from some of the melody perhaps. The vocals snarl and rasp and add
a venomous layer to an already volatile mixture. If you like your
metal energetic and quick, Denounce more than delivers.
While this genre may be filled with bands not quite up to snuff musically,
this band is made up of musicians who more than know their way around
their instruments. It boggles my mind when you discover a band this
good and they aren't on a label yet bands who play similar music
but of lesser quality are signed to some of the biggest labels there
are for this type of music. This is some of the tightest and well
written music of this style that I have heard in a long time. This
is right up their with the early Soilwork albums if you ask me.
With a powerful production and a tough as nails sound Denounce is
a band poised to take the metal world by storm. Record labels take
note as this is a band that is playing interesting yet fast metal
sure to please fans of American metal and Swedish death metal alike.
If you like Soilwork, The Black Dahlia Murder or possibly even Heartwork
era Carcass this is definitely a band you will want to check out.
(Mike Hochins,
Unbound Webzine)

"THE ART OF BROKEN TEETH " EP
With metalcore undoubtedly destined
to be the next fad to be swept under the shit-stained mattress,
Denounce have their work cut out for them. However, what they do,
they do very well; the band are obviously competent musicians,
blessed with a gifted vocalist in Greg Cole, who sounds just like
Carcass' Jeff Walker. And therein lies the problem. They need to
move further away from their influences to stand a chance of being
taken seriously as a class act. Time will tell.
(JG,
Terrorizer Magazine)
This 5 piece from Gravesend show plenty
of Eastern promise. Scott “Axegrinder” Atkins of homegrown
heroes Stampin Ground has produced this 5 track EP. So, trusting
my old mates judgment I figure I must be in for a treat.
I must admit that from the name and the cover I thought I was in
for some generic tough guy hardcore with a few staccato beats and
beatdowns. What I didn’t expect was something that reminded
me so much of latter career Carcass! Greg Coles vocals remind me
so much of Jeff Walker I did a double take as the CD began. The
music invokes the same kind of soaring positivity I feel when I
listen to Heartwork or Swansong (hey I like the album ok!!!!) This
is no Stars in their Eyes performance though. These 5 Kent lads
have got the talent and choons to back up such a heady comparison.
Opener “Hypochristian” may not consist of the most
original of lyrical concepts, (we get it lads - there is hypocrisy
in the Church and organized religions are the root of all evil
- next!) but that aside it is a great introduction to the havoc
contained in this EP. The band are sphincter tight with the twin
guitars of J Beard and Dayve spiralling in the forefront backed
by the bombast of Rhymes on Bass and the tastily monickered Felcher
on Drums. Track two “Bloodied Congregation” continues
the metal assault. This time evoking scenes of black mass and Satanic
cannibalism. Yum! Hey I know these are a little clichéd
but lets face it, such subject matter is what drew us to metal
in the first place.
The thing that strikes me reading through the lyrics for the 4
songs here (the 5th is instrumental) is the fact that each one
consists of only two paragraphs. For a moment I wondered if this
EP had been written in Haiku - a notion which both excited and
repulsed me. However having done a quick syllable check I do not
believe this to be the case.
Track three Flesh and Blood is bugging the hell out of me. It really
reminds me of something. Something I really like something is screaming
early In Flames at me but I don’t know if that is right.
Fuck it! Whatever it is it must be great coz this bloody well is.
When things slow down the drums seem to lose it a little and the
boys struggle to get back in time which is a shame and mar for
me an excellent track. Luckily they get back on the horse and we
are away again.
Track four “….And the needle is thread” is an
instrumental. We get to see the Kent bruisers sentimental side.
It reminds me of a Pink Floyd intro, this is not a compliment.
Skip!
Yeeeeeeeeeeeeeeeeeeeeeeeeeesssssssssssssssssssssssss! Back to the
metal with the final track “Sewn Silent”. A little
adage to the art of serial murder. The chorus refrain of clack
clack clack which I take to be the sound of scissors cutting thread
is great. I can just imagine screaming that in a sweaty moshpit
complete with finger movements.
This EP promises great things to come. It is hard to believe that
these guys are still without a deal when you hear some of the shit
being touted by majors and indies alike. I can’t wait to
see them live. www.denounce13.com
(Matt
Mason, Live 4 Metal)
This 5 piece southern English band
return with a 5 track here that looks very well advanced from their
previous, already promising release.
'Hypochristian' certainly backs up
this professionalism and is a top class, sharp edged melo-death
swedish style song, packed with cool riffs, Carcass-esque gritty
vocals, a strong production and tight playing. This standard is
kept up throughout and closes with my own favourite 'Sewn silent'
which seals the comparisons to Arch Enenmy, At the Gates (mostly
'Terminal Spirit Disease' era) and the like. There is also a more
metalcore edge, towards Darkest Hour and Zao, especially in the
closer.
Denounce are certainly about the best
of the UK bands doing this kind of thing and hopefully an album
is next on their agenda.
(Paul,
Raw Nerve Promotions)
Wow!
This is in yer face Metal which comes at you like a smack in the
face with a baseball bat. There´s five tracks on this EP
and there´s just no let up in the music department. The only
downer for me were the vocals which I thought could have been louder
in the finished production. The lyrics are great - It´s just
a shame that the vocalist wasn´t give the opportunity to
get them as spot on as the music. Tracks to listen to are ´Flesh
And Blood´ and ´Hypochristian´ which were the
best ones on this EP for me. A band to look out for. (Self Financed)
7.5/10
(Full Frontal Recordings)

"THE INNER WORKINGS OF THE HATE GAME" EP
I
met the drummer from Denounce recently whilst out in the Czech
Republic for the Obscene Extreme festival and what a jolly nice
bloke he seemed to be. That, in no way shape or form has biased
me in my review though! No mates favours round these parts!
That
said, and honestly too, this is a solid EP from the Southern
England lads, who have clearly listened to plenty of At The Gates
in their time. Certainly vocally and musically it is a noticeable
influence, and overall reminds me of The Year of our Lord, one
of the better of the ATG compared bands. Denounce certainly don’t
fully rely on them as sole influence, and there are some cool
ideas of their own in the breaks, vocal patterns and deliveries
and song direction changes. If you like your Iron Maiden-esque
melodies you should check out ‘Hollow solvent solitude’ which
is a decent song in its 6 minutes life, that also checks in with
the straight up metalcore bands along with heavy metal aplenty.
I
think if they take a screwdriver to the whole thing and tighten
it up throughout the band, and add a bigger production on the
next recording, they are going to be a recognised force in the
UK extreme scene, as there is plenty of goodness on show that
crosses quite a few genres.
(Paul,
Raw Nerve Promotions)
Their
music to me possesses natural style and the relentless energy
needed in order to set them apart from the rest in their chosen
genre...
I
saw this band live a few weeks ago when I caught their headlining
slot at The Red Lion, (otherwise known as Leos Red Lion), in
Gravesend and I have to say it makes this reviewer pretty happy
to be writing about a talented band from my hometown, where I’m
especially grateful to Denounce for making waves in this little
musical no-mans-land we all don’t like to call home!
Denounce
are heavy, and in my opinion are also at the top of their ‘hate
game’ when it comes to the thrash metal genre. I’ll
get this out of the way now because if you like your metal on
the lighter side of heavy then you may not appreciate the sound
as this band are not going to be gentle with you, however I feel
that’s a large part of their appeal as the thrash metal
scene has needed new blood for a long time now due to it hitting
a slump over recent years, resulting in carbon-copy hell. This
band is setting a new standard, and although I don’t see
them appealing to a mainstream audience, those who love their
metal heavy will be more than satisfied.
Their
music to me possesses natural style and the relentless energy
needed in order to set them apart from the rest in their chosen
genre. This EP entitled “The Inner Workings of the Hate
Game” contains 7 tracks that prove they aren’t your
typical ‘screecher’ band, this music has class, it
has balls, and I feel they have staying power based on those
strengths, which is important when discussing a niche market
such as extreme metal.
What
impressed me most was the guitar work; it blew me away! Dave
Irving and Jamie Turton must have shot out of their respective
mothers wombs holding Gibson Les Pauls in their hands, they’re
only in their twenties yet I heard triple that experience on
this CD! Their band mates deserve a mention too as drummer Dave
Falstead more than helps to keep up the pacing along with bassist
Rhymes, who together make up a class act when joining forces
for the timing of each track. We then have Greg Cole keeping
things thrashy with his unique vocal sound, penning many of the
bands songs and proving himself to be a competent lyricist, and
in a live situation an entertaining front man as well!
My
favourite songs from this CD were “On Cold Skin” and
“Hollow Solvent Solitude” as they show off each of
the band members varied talents and really stood out to me as the
listener. If you like your music on the heavy side of heavy then
you’d better check this band out, but there’s no rush
because I have a feeling this is just the beginning for Denounce
who could easily carve out a solid career for themselves in their
chosen genre as long as they remain unique.
(Samantha
Somerset, Taranis Productions)

An
all encompassing haunting mix of death and pain delivered with
single-minded rhythm and riffs to drool over. Moments of driven
clarity and focussed metal peaks give the band a youthful and
fresh place in their heavy genre. The song Hollow Solvent Solitude
has you racing for the guitar mimicking motion in full appreciation.
Intelligent compilation and penetrative vocals within all the
songs means you just don't get bored with this stuff, unlike
other more generic offerings in our era. This is a band that
could run with the flag and stand proud in the field of Extreme
Metal.
(Adam Fillary,
Rock Matrix)
Heavy
Heavy Heavy. Denounce are somewhat of a rising star and an underground
favorite among the thrash community. Vocals are death, but not
in the deep, "am I belching or singing?" style. More
of a higher-pitched sound (close to black metal, but not quite).
The songs available on myspace are head banging solid songs,
with strong riffs and thrash sections throughout. The drums,
as would be expected, are fast and hard hitting, though manage
to showcase enough variation so as not to sound redundant, however
the real attraction to Denounce is their guitar work. Metal heads
are undeniably going to devour these tracks in an instant, evil
and bloody and undeniably delicious.
(UK
Metal Underground)
With
influences ranging from Nasum to At The Gates to Immortal, Denounce
display a fairly eclectic melding of bombastic Hardcore and Thrash.
They've shared the stage with Hecate Enthroned, among others.
Make room in the UK Metal Underground. Denounce are coming.
(Metalspace)
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